Art

The Geometry of Nature

During my college years I took two mathematics courses, Perspective Geometry and Geometry in Nature. The later, admittedly, I wished I had paid more attention in. It was a tumultuous time in my life and the class wasn’t anywhere near my list of priorities.

There was however, one thing that stuck with me. The professor, who had been teaching this class for years, had a tradition of bringing in a pineapple during the lesson on fractals. He noted, over the past few years he had found that his grocery market pineapples would on occasion fail to demonstrate the fractals they once did. The natural fractal of the pineapple was disappearing in the modern food systems. Sure enough, the pineapple he picked for that day’s class failed the fractal demonstration. The professor, as a result of his findings from this lesson, urged us to observe.

Recently, my interest in natural geometry has returned to my practice and as a result, into what I observe. I spent the winter painting geometric exercises, including the “Circle of Nine” painting, a 7-circle solution used to divide a circle into 9 equal segments. It was in early Spring, on a morning walk, when I noticed the same pattern in the first flowers that showed up in the neighborhood lawns, the Daffodils. I captured this observation in a painting:“Spring Daffodil and the Circle of Nine”.

“Circle of Nine”
March 11, 2024. Watercolor and Gouache on Cold Pressed Arches Paper. 7”x 10”

“Spring Daffodil and the Circle of Nine”
April 3, 2024. Watercolor and Gouache on Cold Pressed Arches Watercolor Paper. 7”x 10”

The Winter Hexagon Asterism

Right now if you look up at the sky on a clear night from pretty much anywhere in the northern hemisphere you’ll find the winter hexagon. Depending on where you are, around 8pm-ish you’ll see the stars that make up this six-point polygon directly above.

A northern hemisphere winter asterism that appears most prominent between December and March and is pretty much visible in even the most light polluted areas. Made up of a series of the brightest stars visible in our night sky, Capella (from Auriga), Pollux (& it’s twin Castor from the Gemini constellation), Procyon (from Canis Minor), Sirius (the brightest star in our night sky and part of the constellation Canis Major), Rigel (from Orion) and Aldebaran (from Taurus).

I’ve been admiring this little group of stars this season. Looking for the 3 stars in Orion to point me to Sirius and seeing the moon occasionally makes it’s appearance with the group and Jupiter not too far west.

“The Winter Hexagon”. February 29, 2024. Watercolor and Gouache on Cold Pressed Arches Watercolor Paper. 7” x 10”

Visions: In the path of totality

I’ve been thinking about the eclipse more over the past two months. This will be my first time experiencing a Total Solar Eclipse and a special place near my heart happens to be on the path of totality. This image came to me two days ago. I felt the need to put it on paper and was able to finish these two paintings in a little over a day.

For more details on where to see the April 8, 2024 Total Solar Eclipse visit the resources below:

https://nso.edu/for-public/eclipse-map-2024/

https://science.nasa.gov/eclipses/future-eclipses/eclipse-2024/where-when/

“Visions: Renacer en la zona del silencio”. December 2023. Watercolor and Gouache on Cold Pressed Arches Watercolor Paper. 7” x 10”

“Visions: In the path of totality”. December 2023. Watercolor and Gouache on Cold Pressed Arches Watercolor Paper. 7” x 10”

Remedios Varo: Science Fictions at the Art Institute of Chicago

I came across her work this Thursday at the Art Institute of Chicago. It was all a lovely happenstance, much like many things in my life. Since seeing the show, I’ve found myself on a small deep dive learning more about her.

She was a woman captivated by the alchemy practices of her Surrealist circle, with a fascinating life lived in Mexico. She was surrounded by mystics, scientists, musicians, and occult practitioners. She explored these occult practices, with paintings showing scenes of transmutation practices and theories around music and levitation. The show also contains excerpts from her journal, including a recipe for how to have exotic dreams.

The show is the first solo show of Varo’s work in the United States in over 20 years. It’s located on the second floor of the Modern Wing next to the cafe. And I very much recommend you view it, it’s a great show to indulge yourself with as we enter the Autumn season. Up until November 27.

Exhibition Links:
1.
Exhibition Details
2.
Summoning Remedios Varo

Video of Conversations:
3. Remedios Varo AIC

4.
A Taxonomy of Techniques

The Birth of Venus

In August, Venus began its shift from being an evening “star” to appearing in the morning sky. The morning sky has always been a lovely thing to witness from Chicago. Watching the colors come out over the lake until the sun decides to make it’s appearance.

Through a few happenstance occurrences, towards the end of the painting, I chose to highlight this Venus resurrection and celebrate my own birthday on September 2, which happened to be the last full day Venus was in it’s apparent retrograde motion. 

For the flower, I originally painted this Miltoniopsis Orchid. I’ve been fascinated by orchids since starting my small collection a few years ago through a gift from my friend Xerx. I was feeling drawn to the patterns the petals have on this species and painted this one into a sky scene, unsure of where the composition would lead me.

During my visit to ArtPrize in Grand Rapids this weekend I encountered a Coleus shrub that caught my attention. I had planned on painting the Coleus in a new scene of it’s own, but after pulling out my collection of started paintings. It felt fitting to incorporate it into my orchid painting, merging the two in an unlikely union that results in the vision of a spirit in flight.

Captions:
Image 1: “The Birth of Venus” painting by me :)
Image 2: Explination of Venus and star placements in the painting
Images 3-5 diagrams of Venus


Resource to accurate Sky map click the link:
https://skyandtelescope.org/interactive-sky-chart/

Kenrick Mcfarlane's Solo Show :Meta at M+B Gallery

Full Frontal Pussy on a Saturday Morning?

I visited Kenrick’s Meta solo show in LA this weekend. I’ve mentioned Kenrick on this blog before, he is a dear friend who I consider to be very wise. His presence and his words have many times brought me peace, I think he has that gift. Kenrick and I have kept up throughout the years, from our days commuting from the burbs to the city and back, bumping into eachother on the bus and the train to spend the time talking about life. I am very proud of him and his journey.

I didn’t really know what to expect going into the gallery. Kenrick is a very good painter. Just on a technical level, I love the way he paints. The openness and freedom, done in such a way that showcases skill, understanding of the medium and confidence. When all comes together, it’s something you have to see in person to really experience.

Walking into the gallery, the first image I was presented with, a woman with her legs up in the air, a pussy and black face. My first thought was that’s WILD, my second being “who the hell is buying that painting?” I walked around the gallery surrounded by the graphic images the paintings presented. In a general sense, I have grown to feel partially desensitized from graphic images and the number of audacious things one can expect to see in a globalized modern world. But these paintings, I couldn’t help but be with them for a while, attempting to put my finger on what it was about them that felt that way.

The images in this show explore some of the shadow spaces of the mind. Darker elements, that like nightmares, have their space and deserve their presence and meditation.

I am glad Kenrick has this space to explore, that there is this freedom of expression he has cultivated in order to give us images that explore these elements of humanity. It really is a show to see in person, if you are in the LA area or just have some cash to blow on a trip out there, highly recommend. He also has a show coming up in September in Paris this year, which like all his other shows I’m sure will be one worth seeing.

Kenrick Mcfarlane “Meta”
M+B Gallery in Los Angeles
July 7 - August 12, 2023


More images including THAT one on the gallery website here:

www.mbart.com

Images of Kenrick’s show from M+B gallery website
Copyright the artist

Flowers and the Number 5

Lately I’ve had a tiny curiosity with number significance. This started around April when I began seeing repeating numbers everywhere, a few weeks later it was palindrome numbers. I mentioned it one day in a group chat, and my friend Angel told me to keep a list of them so I’ve been doing that. I’ve forgotten to document a few but most are on there.

I’m fully aware that doing this would potentially make me more alert to finding more numbers. You find what you seek/ make yourself aware of. If you start seeking purple cars you’ll start seeing them everywhere because that’s what tends to happen. I’m very actively trying to avoid doing this. Angel also told me to keep track of what instances I find these numbers but uneventfully no patterns have been found. Sorry Angel. That’s my little update on that.

At one of the stays in Guatemala I stumbled across the book Cheiro's Book of Numbers: The Complete Science of Numerology in it was a detail that stuck. It claimed that all flowers with seven petals were original forms of the flower, meaning, they were not cross-pollinated with other flowers. I found this detail interesting, the number 7 seemed to carry the origin of the flower.

I looked further into the significance of flower petals numbers and found this journal, titled Five petals: The mysterious number "5" hidden in nature from Osaka University Economics School, the author, a professor seemingly with a background in math.

The article starts with an analysis on petal numbers. Flowers generally have between 1-6 petals (7 or more is rare), but a large majority of flower species fall in the 5-petal category. It dives into this idea that nature seeks the number 5 (Venus and Earth’s 8 year dance around the sun produces a shape of a 5-petal flower). It ends with the comparison of a human hand to a flower, and the idea that our number systems are based off of this mysterious number 5 we find in nature.

I’ve been more aware of 5-petaled flowers. For the first time in my life I have a home to garden. After last weekend’s rain, the first flowers of the season showed up in the garden, five-petaled baby’s breath. I had watercolor backgrounds I made weeks back and it felt fitting to commemorate the first flowers of the garden in a painting.

Some people have told me they see the flowers coming down from the sky others have said that they see them going up, the vote is somewhat divided.

_________________________________________
& like the good little writer I am, sources and links to the free texts bellow 😊

Cherio, “Cherio’s book of Numbers: The Complete Science of Numerology”, Fireside Books, January 1988, pg14

Yutaka Nishiyama, “Five petals: The mysterious number "5" hidden in nature”, Osaka University of Economics, January 2012

 

Baby’s-breath. 2023. Watercolor and Gouache on Cold-press Arches paper. 7”x 10”

 

Moon Faces

The other day Miguel asked why I don’t paint people or animals. I’ve painted people before, in high school I did a full series with people as the subject. But for now I enjoy flowers, landscapes and presences, although I am not opposed to insects, and maybe someday humans will find their way back into my paintings.

I’ve been thinking about next year’s calendar and I’ve talked about my relationship with the moon in this blog so I wanted to explore faces for the purpose of including a moon-face in next year’s calendar. Miguel’s also been looking at moon-faced watches the past few weeks so I think some of that has subconsciously spilled over into my practice.

It has admittedly been a while since I’ve attempted a face so as a re-intro to faces, I sat in front of the mirror and began to make quick sketches of my face. This is an exercise many art teachers will have you do at some point and it was a nice little way to get back into drawing faces.

www.whereiswndy.com, Sketches of moon faces, 2023

Some downtime in Guatemala

In anticipation for this Guatemala trip I prepared some watercolor supplies to take with me.

I let this be a time to explore and paint whatever my little heart desired. We had many lazy days spent lounging around our rented home on Lake Atitlan, eating fruit, drinking, listening to music, painting and reading from the select books at our spot. Occasionally, a visitor would come in the form of a neighborhood cat or dog and spend a few hours lounging with us. Towards the end of the trip, I became inspired after visiting La Galleria in Panajachel and seeing Nan Cuz's work. It led me to create messier backgrounds resulting in the making of “Orchedia del Volcan”, my favorite of the bunch.

There were other fellow artists who’s works I came across on this trip, some notable ones below:

Lastly, Antigua was a great city, I recommend stopping at Cafe No Se if you get to spend a night there.

Below is a list of supplies with clickable links to help facilitate traveling with paints, highly recommend them as they take up very minimal space in luggage :

Rediscovering Tulips

Rediscovering Tulips

Tulips had never appealed to me, they’re mostly displayed closed, have a naturally drooping stem, didn’t feel like a flower to admire. But I recently came across a video that made me think differently. By gently bending the petals outward to open and placing a copper penny from before 1982 in the water, you get an almost too perfect looking flower that stands tall.

In a way they feel unreal and otherworldly, like something that belongs in the world of the Teletubbies or some other alt. universe. (A little tip: Trader Joe’s sells a bundle of 20 for $10.99 that could easily give you a good 3-5 vases worth).

I’ve enjoyed making these arrangements, it’s a nice way to get lost in the flowers, and now that I’m growing my own cut and grow garden I’m excited to have some more herbs and flowers to experiment with this year. I envision these displayed with my sky paintings in a series I’m building.

The Sun of Zicatela

The other day my friend Xerx and I had an art night at my studio and I worked on this piece.

Inspired by “The Temple of Flora” Illustrations I used an image I had taken in Puerto Escondido as a reference and placed a red poppy anemone in the scene.

El Sol de Zicatela. 2022. Oil on Canvas Paper. 12 x 16in.