Los Angeles 2021

Los Angeles 2021
December 11 - 16, 2021

I can loosely say I’m from LA, It’s the city my parent’s lived in when I was born so this is my origin city.

I was back in LA for my friend Kenrick’s first LA solo show appropriately titled “Naked and Famous” something I’ve been looking forward to all year long. I was also doing my first DJ set there at High Tide for the afterparty. It was a fun night and a full 24 hours of no sleep for me, minus the 45min nap I took in the car.

Daniel the lovely studio mate also let me take his camera with me to LA so I got to capture some scenes there in Fuji and B&W film. Film I forgot to bring and ended up leading me to stop by at the little camera and magazine shop where I met Raymond the shop owner, photographer and dj and who I proceeded to spend the next 5 or so hours chilling in LA with, and so graciously got me Japanese food, thank you Raymond.

Some of the rest of my time there was spent going to the Huntington Garden’s, which has the most extensive variety of desert plants outdoors I have ever seen. Kenrick and I did a part two collab at his studio in DTLA. And unfortunately to my dismay, LA was not really any warmer than Chicago.

Flowers on Film at the Huntington
Photos using Cannon Ae-1 and B&W Ilford 35mm film

In Good Company at Mana Contemporary

In Good Company at Mana Contemporary
December 10, 2021 - January 7, 2022

In Good Company by the Monira Foundation is an art show put together to showcase all the wonderful talent that exists in the Mana Contemporary artist studio building in Chicago.

66 Chicago artists, painters, photographers and sculptures all under one roof. Opening night is December 10th, come grab a drink and see the work of select Chicago artists, including your girl.

SHOW OPENING
5-10pm
Friday, December 10, 2021
2233 S. Throop Street
Chicago, IL 60611

Find more details here:
monirafoundation.org

See you there <3

Reflections from Durango, Mexico

Reflections from Durango, Mexico
Life’s Little Parallels
July 31 - August 10, 2021


Last summer, I drove 4 hours in the mountains of Mexico, it was pitch black and slightly raining. The road was a little rough and my high-lights weren’t enough to really capture the clifs that I knew were on the side of me. It was a scary experience because 1. Coming out of the town I did not have GPS or cellphone signal so I had to remember my way out of the mountains before getting to the first major town which was about 30 minutes away and 2. The area where I was driving is known for its cocaine production, and there are stories of things getting violent and cartels blocking the roadways, there is no safe way to do a U turn in those mountains and so if I were to be stopped, driving alone in the night there really would be nothing I could do. So I thought about this and the other very rational fear of accidentally falling off the side of the mountain in the dark (there are many crosses along the way, this is a common occurrence). 

I have been somewhat scared of the dark most of my life. It’s not as persistent of a fear as when I was younger, As a child I used to sleep with a night light (and sometimes on the floor, idk why that made me feel safer). This fear definitely hasn’t stopped me from adventuring being the curious person I am. As I drove through the mountains, thinking of moments where I have had to endure fears of the dark, a memory came to mind.

I LOVED school supply shopping as a kid. There was something so thrilling to me about organizing all my supplies and daydreaming about school. So when the list arrived one summer I begged my mom to take me to the store. I don’t remember why but that day the apartment garage where the car was stored was in pitch black darkness, so naturally my mom was like “no”. But being the persistent child I was, I proposed a solution and she accepted. If I could go into the garage and open the door that was at the other deep end (closer to the car) she would take me. She knew I was scared of the dark, so in her mind this was not going to happen.

I grabbed my dad's little handheld flashlight and a rock and went to the garage door opening trying to figure out how I was going to get to the deep end of that garage. A few times I walked in only to realize that it really was super super dark. I’m not sure how long I waited outside of that garage but at some point a car finally went in, so I saw that as my chance to go in with it. Unfortunately, this car was parked at the near end of the garage so they didn’t really provide much help. But I saw this as my chance, something about someone else being in the garage with me made me feel more at ease with the dark, so I just ran with it. Somehow I made it to the other end and propped open the door. My mom kept her end of the deal and I went school supply shopping that day.

The parallels of life are really funny sometimes, and if I pay close attention, I find that in my life there are many parallels I can look back like “hmm, interesting”. But that day, when I arrived from Mexico to my parent’s place, the same garage I had endured in my early years was also in pitch black darkness. This isn’t a common occurrence, so it was kind of like life’s little inside joke with me.

August 10, 2021: Driving out of Bagres at approx. 4am

August 10, 2021: Chicago, IL

Sky Paintings

Sky Paintings
Pilsen, Mana Contemporary Studio

Through out the summer I went on many bike rides down Lake Shore path overlooking Lake Michigan, whether it was waking up super early in the morning to watch the sun rise over the lake (beautiful view) or to go late late into the night to feel the quietness of the city and the warmth of the summer without the sun. The lake saw a lot of me this summer, I cried by the lake, I submerged myself in it, I went with my friends cruising and I bingged a lot of albums being by the lake. It was a place of meditation where I could to get a little lost, get lost in the perceived vastness of the lake and the sky and quiet in my thoughts, I could also reflect and think. There was a lot of balance by the lake, and I am grateful for all of the moments I had there.

Fast forward to November, I found myself hitting a period of being stuck. I wasn’t going to the lake as much. I didn’t have the energy to go early like I did in the summer and by the time I was done with work the darkness of the city wasn’t very encouraging to get myself there. The times I did go to the lake, the wind was super strong and it was so so so cold. My bike rides to the lake became less frequent.

I started this series of paintings based on images of the sky I had on my phone. Some from the lake, but others from my collection of travels, California, Cancun, long drives. Making these was a sort of meditative process similar to the lake. These are meant to be backdrops for what will later be floating flowers in the sky, but for now these provide a sense of comfort and peace for me.

New Orleans Girls Trip

New Orleans Girls Trip
October 28-31

When I say I was exhausted from Mexico I mean it, I was EXHAUSTED, like there was absolutely no reason I should have accepted to go on this trip when I did, but I’ve always wanted to go to New Orleans and the opportunity to go during Halloween week with my friends was too tempting to resist, so when my friends told me we were doing girl’s trip part dos I caved.

My friend Bella, was staying down in Missisippi doing some work as a political reporter, and three weeks before Halloween it just so happened we all had a clear schedule for that weekend. I’m glad I accepted to go when I did, because this was a fun trip, a bit unexpected, and I’m pretty sure there was mold in one of the rooms, but lovely and needed. We also changed our names during this trip, one night my name was Scarlett the other I went by Star, I think it just fit the outfit I was wearing. Scarlett wore a red velvet dress with a cut out back and had a mole on her face, Star was more playful and wore some converse and a black velvet mini skirt with a tied up floral pink shirt. The unexplainable reason as to why woman do the things that we do. It was fun, that’s my general consensus for making decisions.

As for the actual Halloween festivities, we originally had planned to be a cult of flowers. We were going to draw on our faces and just be flowers of some abstract sort for Halloween. The plan however did not end up as scheduled. The white face paint was not the move. So we toned the idea back a bit and just kinda got loose with the look. For the rest of the weekend we went to this cute french bar called Bar Marilou, tried some AMAZING Po Boys from Mahony’s and listened to a live band on our walk to down Burbon street. Absolute food favorite, must try from the trip, Bearcat Cafe breakfast spot, the Hot Chicken Crab Daddy, ugh so so so good. We didn’t get to go on a cemetery tour, big bummer. But we got a little lost in the energy of New Orleans Halloween weekend and overall fun short trip <3.

Mexico City 2021: Luis Barragan

Mexico City 2021: Luis Barragan
September 4- 20, 2021
Mexico City (D.F.), Mexico

Visited both of these spots on my trip, if you have some time and enjoy touring architectural spaces I would recommend it. Casa Gilardi showcases his work and Casa Estudio helps understand who he was as an artist in his home space.

1. Casa Gilardi
Calle Gral. Antonio León 82, San Miguel Chapultepec I Secc, Miguel Hidalgo, 11850 Ciudad de México, CDMX, Mexico

2. Casa Estudio Luis Barragan
Gral. Francisco Ramírez 12, Ampliación Daniel Garza, Amp Daniel Garza, Miguel Hidalgo, 11840 Ciudad de México, CDMX, Mexico

Links to both of their sites:
https://casagilardi.mx/en/
http://www.casaluisbarragan.org/eng/en_index.html

Painting with Kenrick

Painting with Kenrick
Mana Contemporary in Pilsen, Chicago, Illinois

Since I revived my painting practice in November of 2020 I have been in this odd relationship with oil painting. If I’m being completely honest the relationship with oil has consistently been odd. But like any relationship, it must be nurtured to survive and my stubborn ass keeps coming back to it.

However, someone who does have a lovely relationship with the medium, is my dear friend Kenrick who came to visit and stay with me for a few days. During this time we took the opportunity to paint. We also talked about the flow state. The moments where actions come before thoughts, like in dance or making love and everything just flows, a trust.

On this studio night we started by placing paint on the pallet with no real plan as to where things were going, then we began to paint. Throughout the painting process, I could feel myself getting out of flow and then just as I was doing so Kenrick would come in with a big old streak across what I was working on. I knew this was a much needed intervention. After getting past that. I kind of just got a little loose with it, we took some brief moments of stepping back and analyzing what we felt was needed and then just added some more purposeful details to finish it off. The result, the first of many collaborative paintings to come.

A heart’s desire. 2021. Oil on Canvas.36 x 48in. Chicago.

A collaborative painting, the first of a continuing series, with my dear friend Kenrick McFarlane, created on the night of Friday, August 27, 2021 during the hours of 11pm-4am at my studio in Mana Contemporary in Pilsen, Chicago

Los Bagres, Durango, Mexico: July 30- August 10, 2021

Los Bagres, Durango, Mexico
July 30- August 10, 2021

This was my first time back to Mexico in 15 years, when I landed in the airport I rented a car and drove 4 hours through the mountains to my maternal homeland in Los Bagres, Durango.

I arrived on the day of the Fiestas de St. Domingo, the biggest celebration the town hosts. The town had skipped last year’s due to Covid concerns. Bagres is a small town, population is roughly less than 200 people most of which now have summer homes in the town and live in the US. During my time there I stayed with my grandma and her close friend, Modesta. My aunt, who had just gotten her papers a week prior also was in town during my stay.

The town has no cell phone reception or wifi other than a little peak you have to climb to called “La Cruz”. I spent most of my days in Bagres, hiking the land, visiting the graveyard and the river, rummaging through family photos and foraging fruits and vegetation from the land and my Mami Mitty’s huerta. At night, I wondered the dimly lit streets, smoked some local weed, went to the vollyball canchas with my family and hiked up to La Cruz a few times to get a good view of the stars.

I, unfortunately, did not get to use all the film I brought on this trip as the camera my lovely studio mate and friend, Daniel had lent me’s battery died halfway and there was no way I was going to be able to replace it during my stay. But I was able to capture some of the flowers at night, the aftermath of the fiestas, the men on horses that I met on my morning stroll, my great grandmother’s grave, my Mami Mitty on the door of the hotel room she stayed in the night before she got married, a hotel that is now only ruins and a few other memories that I cherish.

I also did not get to visit the land I had been most wanting to see, Zapiguri, this is the original maternal homeland, the place where my mother and grandmother were born, the place where many of the stories I grew up with originate. This town lies further out into the mountains and the only way to get there is by crossing the river. A river that due to the rain was swollen during my stay and therefore uncrossable by foot. On top of crossing the river, it is an extensive hike by foot to get there. Life can be such a tease sometimes, I traveled so far and was so close to the town I only faintly remember yet this body of water, something relatively small yet powerful, prevented me from being able to see the thing I longed to see. Perhaps it was the land’s way of ensuring that I would return.

Photos using Cannon Ae-1 and 35mm Portra 400 film

Flowers from the day I lost consciousness

Flowers from the day I lost consciousness

The day I got these flowers, I lost consciousness.

I had gone out in the morning on a bike ride down the lake and took a detour that lead me to a farmers market in Lincoln Park. That’s where I found the flower stand selling this beautiful assortment of flowers. After, I decided to take myself to lunch at Three Arts, where I lost consciousness on my way to the bathroom and fell down a flight of stairs. I spent the rest of the day at the ER.

The flowers stayed with me throughout my little journey. Later in the week I took them with me to the studio and documented them.

Magical little things.

New York City 2021

New York City ayy
July 2-5, 2021

My lovely friend Sophie invited me to visit her in NYC for 4th of July weekend. So much fun, I love energy and it was a great trip,
I was both exhausted and energized by the end of it.

Photos using Cannon Ae-1 and 35mm Portra 400 film

First Film Experiments

First film experiments

On a late night at the studio I set up some still life’s and took some images. This was part of my midnight art practice, a collection of works created around / after the hour of midnight in the studio.

Photos using Cannon Ae-1 and 35mm Portra 400 film

A night with a father

A night with a father

I started this piece on a night at the studio. The result, a little summary of how it went. Parallels.

Untitled. 2021.Charcoal on drawing paper. 90 x 48in.

A call with my mother

A call with my mother

After spending some time making my 8.5 x 11 charcoal pieces I decided I wanted to create a large scale piece.

I had some heavy duty drawing paper so I laid it out on the studio floor putting weights on the ends to avoid having the paper curl and began spreading loose charcoal around with my hands. I wore a mask and gloves to protect myself from all the loose charcoal. After I laid out a few ikebana books open to select pages and began to carve out the image using an eraser.

At some point my mom called me. We began talking on the phone. My mom likes to talk about religion and Catholic mysticism. She told me a story of a woman who envisioned the end of the world. As she described the scenery I continued to draw.

My mom is very present in this final piece. I thought of her home town of Zapiguri in the mountains, I thought of the story she had told me while on the phone, I thought about my dreams, portals into other mystical spaces, stories of the supernatural I grew up hearing all resulting in this piece.

Alicia. 2021. Charcoal on drawing paper. 90 x 48 in. Chicago.

Charcoal Drawings

Charcoal Drawings
May 4, 2021 - ongoing

I began making these charcoal drawings sometime in May of 2021. They were created as a response to the on and off again relationship with oil paint. I wanted to be able to use a medium, that quite frankly, I didn’t care as much for. I wanted a medium that that would be forgiving and was easy to handle, where I could focus on making an image and less about the technical aspects behind it.

The first few drawings were part of my midnight art practice. I would go into the studio late into the night, at a time where I could get lost in the art. I would play all sorts of new age instrumental music, set up some still lifes or pull out some references from my Ikebana book collection and create.

When I first started making these I would talk about them as sketches, but the reality was that I was very fond of these drawings. These drawings held an essence of myself that felt fluid. I knew these pieces were not sketches, they were drawings and they were the best work I had made in the studio up until this point. These drawings also did something for me oil could not do at the time, they took me to a flow. Charcoal took me out of my head, the medium provided the most direct path of articulating the visions I had for the work. I took up a relationship with charcoal, seeing it as a fellow collaborator.

You can view the entier collecion at full scale here. :)

Xerx’s flower crown

Xerx’s flower crown

Xerx is a very good friend and he was one of the people I spent a lot of time hanging out with when everything was shut down. He’s also a magical floral designer.

On this day he picked me up and we headed to the studio. When we got to the studio Xerx took out two floral crowns he had made. I picked out some clothes I had brought and he snapped away using his digital flash camera.

I feel very comfortable around Xerx so this was a fun little shoot together.

Painting 4

Painting 4

For this one I took a different approach, I was inspired by the night sky of Chicago in the winter, a little bit of green/brown from the light that reflects back on the densely clouded sky. I’m also curious about adding jewels to the painting. I sourced the coup from a vintage store in Chicago, I like the detailing on the glass and I wanted to capture it in some way.

Painting 3 : My ode to Goya’s Witches’ flight

Painting 3

My ode to Goya’s Witches’ flight

I spent some time browsing art on the web in 2020. I had a little Goya phase where I would go on el Prado’s website and look at a bunch of Goya’s work on my large Mac monitor. During that time I really gravitated towards the darker toned paintings, something about them felt soothing and peaceful. I took a cinderblock I had in the studio and positioned it at an angle and made this painting .

Painting 2: Ojos en el Cielo

Painting 2

One late night at the studio, I set up these rings I had and snapped a flash photo of them, resulting in the image of two eye floating in the sky. The following night I painted this piece at the studio.